IN THE SUPREME COURT OF
════════════
No. 03-0019
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Petitioners,
v.
Bruce Isaacks
Respondents
════════════════════════════════════════════════════
On Petition for Review from the
Court of Appeals for the Second District of
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Argued
Justice Jefferson delivered the opinion of the Court.
Justice Schneider did not participate in the decision.
This is a libel suit brought by a judge and a district attorney against a newspaper and its staff for publishing a satirical article the respondents contend was defamatory. The trial court denied the petitioners= motions for summary judgment, and the court of appeals affirmed. 91 S.W.3d 844. We reverse the court of appeals= judgment and render judgment that plaintiffs take nothing.
I
Factual Background
In November 1999, thirteen-year-old Christopher Beamon, a Ponder, Texas seventh grader, was arrested and
detained for five days in a juvenile detention facility after the Halloween
story he wrote as a school assignment was deemed to contain Aterroristic
threats.@ According to Beamon,
his teacher assigned students the task of writing a scary story about being
home alone in the dark and hearing noises.
Beamon penned a tale that described shooting a
teacher and two classmates. He received
a grade of 100, plus extra credit for reading it aloud in class. The school principal read the story and
called juvenile authorities, who sent sheriff=s
deputies to remove Christopher from school.
Denton County Juvenile Court Judge Darlene Whitten ordered Christopher
detained at the Denton County Juvenile Detention Facility for ten days. She later approved an early release after
five days, and Denton County District Attorney Bruce Isaacks declined to
prosecute the case. He commented, AIt looks like
to me the child was doing what the teacher told him to do, which was to write a
scary story. But this child does appear
to be a persistent discipline problem for this school, and the administrators
there were legitimately concerned.@ Brenda Rodriguez & Annette Reynolds, Boy
Freed After Story Lands Him in Cell; Ponder Seventh-Grader Wrote of Shooting
Teacher, Students When Told to Pen Horror Tale, Dallas Morning News,
The widely-reported Beamon
incident received national and international attention. See, e.g., id.; John Kass, Fear of School Violence Getting Best of Common
Sense, Chicago Tribune,
The Dallas Observer, a self-described Aalternative newsweekl[y]@ that focuses on reporting Ain context and with perspective and
sometimes with an individual=s
voice,@
published a satirical article lampooning the officials involved in the Beamon incident. The
satire, written by Observer staff writer Rose Farley, ran in the Observer=s
Entitled AStop the madness,@ the fictitious article described the arrest and detention of Adiminutive 6 year-old@ Cindy Bradley, who was purportedly jailed for writing a book report about Acannibalism, fanaticism, and disorderly conduct@ in Maurice Sendak=s classic children=s book, Where the Wild Things Are.[2] Adjacent to the article was a picture of a smiling child holding a stuffed animal and bearing the caption, ADo they make handcuffs this small? Be afraid of this little girl.@ The article states that Bradley was arrested Awithout incident during >story time=@ at Ponder Elementary School and attributes fabricated words and conduct to Judge Darlene Whitten, District Attorney Bruce Issacks, and others.
Other false quotes and bogus factual assertions
were strewn throughout the piece. Judge
Whitten was said to have ordered Bradley detained for ten days at the
In describing Sendak=s 1964 Caldecott Medal winning book, the article offered the only true quote in the entire piece:
The most controversial aspect of the book is contained in an early exchange between Max and his mother. It reads:
His mother called him >WILD THING!=
and Max said >I=LL
so he was sent to bed without eating anything.
The article asserts that although he had not read the book,
then-governor George W. Bush purportedly Awas
appalled that such material could find its way into the hands of a
Isaacks and
Whitten demanded an apology, requested a retraction, and threatened to
sue. In response, the Buzz column
in the Observer=s
next edition (published
Buzz hates being one of those guys B commonly known as Alosers@ or Adateless@ B who laboriously explains jokes. Unfortunately, some people B commonly known as Aclueless@ or AJudge Darlene Whitten@ B did not get, or did not appreciate, the joke behind the news story AStop the madness,@ which appeared in last week=s Dallas Observer.
. . . .
Here=s a clue for our cerebrally challenged readers who thought the story was real: It wasn=t. It was a joke. We made it up. Not even Judge Whitten, we hope, would throw a 6-year-old girl in the slammer for writing a book report. Not yet, anyway.
Patrick Williams, Buzz,
II
Procedural Background
Isaacks and Whitten filed suit, claiming they were
libeled by the AStop the
madness@ article.[3] Isaacks and Whitten named as defendants New
Times, Inc. (partial owner of the Dallas Observer), Dallas Observer,
L.P. (publisher of the Dallas Observer), and Rose Farley, Julie Lyons,
and Patrick Williams (the Observer=s
staff writer, editor-in-chief, and managing editor, respectively)
(collectively, ANew Times@).
New Times moved for summary judgment, contending that, as a matter of
law: (1) an average or reasonable reader
would understand the article at issue as a satire or parody rather than actual
statements of fact about the plaintiffs; and (2) New Times negated actual
malice. On
New Times filed an interlocutory appeal, pursuant
to section 51.014(b), Texas Civil Practice and Remedies Code. That appeal was stayed pending further
summary judgment proceedings in the trial court. New Times filed its second motion for summary
judgment on
In what New Times contends is Athe first [decision] in the nation
finding a triable fact issue in a libel case brought
by elected public officials over a political satire,@
the court of appeals affirmed, holding that fact issues precluded summary
judgment. 91 S.W.3d
844, 864. The court held that Asatire or parody that conveys a substantially
false and defamatory impression is not protected under the First Amendment as
mere opinion or rhetorical hyperbole, but instead is subject to scrutiny as to
whether it makes a statement of fact under defamation case law.@
We granted the petition for review to address the
important constitutional issues raised by defamation claims involving satire. 46
Satire
New Times asserts that its statements are
protected under the First Amendment to the United States Constitution and
Article I, Section 8 of the Texas Constitution.
AWhere, as
here, the parties have not argued that differences in state and federal
constitutional guarantees are material to the case, and none is apparent, we
limit our analysis to the First Amendment and simply assume that its concerns
are congruent with those of article I, section 8.@ Bentley v. Bunton, 94 S.W.3d 561, 579 (
As the court of appeals noted, A[s]atire, particularly realistic satire, is . . . a distortion of the familiar with the pretense of reality in order to convey an underlying critical message.@ 91 S.W.3d at 854. According to one commentator, satire Adeals with actual cases, mentions real people by name or describes them unmistakably (and often unflatteringly), talks of this moment and this city, and this special, very recent, very fresh deposit of corruption whose stench is still in the satirist=s curling nostrils.@ Gilbert Highet, The Anatomy of Satire 16 (1962). ASatire is particularly relevant to political debate because it tears down facades, deflates stuffed shirts, and unmasks hypocrisy. By cutting through the constraints imposed by pomp and ceremony, it is a form of irreverence as welcome as fresh air.@ Falwell v. Flynt, 805 F.2d 484, 487 (4th Cir. 1986) (Wilkinson, J., dissenting), rev=d sub nom. Hustler Magazine, Inc. v. Falwell, 485 U.S. 46 (1988). Perhaps the most famous example of satire is Jonathan Swift=s 1729 essay, AA Modest Proposal,@[4] in which he advocated that the children of the Irish poor be sold and slaughtered for meat. The article was intended to criticize English landlords and political economists, but Swift was widely criticized by those who misunderstood the satire.
In this country too, there has been a long and storied Atradition of satiric comment.@ Falwell, 805 F.2d at 487.
Much of the comment went overboard, and much would be considered libelous today. For all its clatter and hubbub, however, it has not undermined this country's profound respect for presidents and priests. But it has enhanced political debate. Nothing is more thoroughly democratic than to have the high-and-mighty lampooned and spoofed. An observant electorate may also gain by watching the reactions of objects of satiric comment, noting those who take themselves seriously and those whose self-perspective is somewhat more relaxed.
Thus, defamation claims involving humor in general, and satire in particular, raise important issues pertaining to free speech. AHumor is an important medium of legitimate expression and central to the well-being of individuals, society, and their government. Despite its typical literal >falsity,= any effort to control it runs severe risks to free expression as dangerous as those addressed to more >serious forms of communication.=@ Robert D. Sack, Sack on Defamation ' 5.5.2.7.1 (3d ed. 2004) (hereafter ASack on Defamation@).[5]
Is there a recognized exception from the laws of libel when words otherwise defamatory are uttered in a humorous context? Of course, common sense tells us there must be. Humor takes many forms B sheer nonsense, biting satire, practical jokes, puns (clever and otherwise), one-liners, ethnic jokes, incongruities, and rollicking parodies, among others. Laughter can soften the blows dealt by a cruel world, or can sharpen the cutting edge of truth. Without humor B the ability to recognize the ridiculous in any situation B there can be no perspective. Humor is a protected form of free speech, just as much to be given full scope, under appropriate circumstances, as the political speech, the journalistic expose, or the religious tract.
Salomone v. MacMillan Publ=g
We must consider, then, how best to balance potential defamation liability with constitutional concerns when a satirical communication is at issue. One commentator suggests that A[a]dequate protection for most humor can be found in ordinary common-law defamation principles.@ Sack on Defamation ' 5.5.2.7.1.
Much humor is a form of opinion or criticism, protected under the common-law defense of Afair comment@ or the doctrines suggested by the Supreme Court cases: that there are Aconstitutional limits on the type of speech which may be the subject of state defamation actions,@ such as Arhetorical hyperbole@ and Avigorous epithets,@ and the requirement that the statements at issue be reasonably interpreted as alleging facts.
Humor is usually understood to be humor and to convey no serious, objective factual allegations about its target. Although perhaps annoying or embarrassing, humorous statements will have no substantial impact on reputation and therefore ought not to be held to be defamatory. Incidental jibes and barbs may be humorous forms of epithets or "mere name-calling" and are not actionable under settled law governing such communications. And it is on these bases that most humor cases are decided.
The United States Supreme Court, sensitive to the
constitutional issues involved in imposing liability for speech, has applied
the New York Times v. Sullivan standard to a case involving parody. See Hustler Magazine,
Inc. v. Falwell, 485
The jury found that the Hustler ad parody could
not A>reasonably be understood as
describing actual facts about [Falwell] or actual
events in which [he] participated=@ and returned a verdict in Hustler=s favor on Falwell=s defamation claim.
The Court noted that the New York Times Co. v. Sullivan actual malice standard protected the parody from an intentional infliction of emotional distress claim:
Since New York Times Co. v. Sullivan, 376
U.S. 254 (1964), we have consistently ruled that a public figure may hold a
speaker liable for the damage to reputation caused by publication of a
defamatory falsehood, but only if the statement was made "with knowledge
that it was false or with reckless disregard of whether it was false or
not."
485
The Court rejected the notion that, because the Hustler parody was particularly outrageous, it could be distinguished from traditional political cartoons:
There is no
doubt that the caricature of respondent and his mother published in Hustler is
at best a distant cousin of the political cartoons described above, and a
rather poor relation at that. If it were
possible by laying down a principled standard to separate the one from the
other, public discourse would probably suffer little or no harm. But we doubt that there is any such standard,
and we are quite sure that the pejorative description "outrageous"
does not supply one.
"Outrageousness" in the area of political and social discourse
has an inherent subjectiveness about it which would
allow a jury to impose liability on the basis of the jurors' tastes or views,
or perhaps on the basis of their dislike of a particular expression. An "outrageousness" standard thus
runs afoul of our longstanding refusal to allow damages to be awarded because
the speech in question may have an adverse emotional impact on the
audience. See NAACP
v. Claiborne Hardware Co., 458
A. The Reasonable Reader and AStop the madness@
Thus, we must Aconsider
this case against the background of a profound national commitment to the
principle that debate on public issues should be uninhibited, robust, and
wide-open, and that it may well include vehement, caustic, and sometimes
unpleasantly sharp attacks on government and public officials.@
N. Y. Times Co. v. Sullivan, 376
AWe
have long held that an allegedly defamatory publication should be construed as
a whole in light of the surrounding circumstances based upon how a person of
ordinary intelligence would perceive it.@ Turner v. KTRK Television, Inc., 38
S.W.3d 103, 114 (
We have never before applied these principles to a
satirical article, however. New Times
asserts that AStop the
madness@ is
rhetorical hyperbole, protected under the First Amendment. See, e.g., Letter
Carriers v. Austin, 418
We hold that the imposition of liability on such a basis was constitutionally impermissible B that as a matter of constitutional law, the word >blackmail= in these circumstances was . . . not libel. . . . No reader could have thought that either the speakers at the meetings or the newspaper articles reporting their words were charging Bresler with the commission of a criminal offense. On the contrary, even the most careless reader must have perceived that the word was no more than rhetorical hyperbole, a vigorous epithet used by those who consider Bresler=s negotiating position extremely unreasonable.
Most recently, in Milkovich
v. Lorain Journal Co., 497 U.S. 1 (1990), the Supreme Court noted that the A[
Other courts have applied these holdings to
create a workable standard for cases involving satire or parody. See, e.g., Sack on Defamation '
5.5.2.7.1; see also Jan Kipp Kreutzer, Defamation: Problems with Applying Traditional Standards
to Non-Traditional Cases B
Satire, Fiction and AFictionalization,@ 11 N. Ky. L.
The test is not whether the story is or is not
characterized as Afiction,@ Ahumor,@ or anything else in the publication,
but whether the charged portions in context could be reasonably understood
as describing actual facts about the plaintiff or actual events in which she
participated. If it could not be so
understood, the charged portions could not be taken literally. This is clearly the message in
695 F.2d at 442 (emphasis added).
The court concluded that, because the story described something
physically impossible in an impossible setting, it was Asimply
impossible to believe that a reader would not have understood that the charged
portions were pure fantasy and nothing else.@
In Hustler Magazine, Inc. v. Falwell, the district court incorporated the Pring test into the jury instructions on Falwell=s
libel claim. 485
We believe Pring
appropriately sets the standard for liability in cases of satire or parody,
while providing freedom of expression its necessary Abreathing
space.@ Falwell, 485
The court of appeals has underestimated the Areasonable reader.@
As the relevant cases show, the hypothetical reasonable person B the mythic Cheshire cat who darts about the pages of the tort law B is no dullard. He or she does not represent the lowest common denominator, but reasonable intelligence and learning. He or she can tell the difference between satire and sincerity.
Patrick v. Superior Court, 27
The appropriate inquiry is objective, not subjective. Thus, the question is not whether some actual readers were mislead, as they inevitably will be,[7] but whether the hypothetical reasonable reader could be. See San Francisco Bay Guardian v. Superior Court, 21 Cal. Rptr. 2d 464, 467(Cal. Ct. App. 1993) (AThe fact that real party furnished declarations of a few people who stated that they did not recognize the letter as a joke does not raise a question of fact as to the view of the average reader. The question is not one that is to be answered by taking a poll of readers but is to be answered by considering the entire context in which the offending material appears.@); see also Bruce W. Sanford, Libel & Privacy 193-94(2d ed. 1991) (ADry irony . . . creates a greater risk of being misunderstood as an assertion of fact than slapstick, but nonetheless it is entitled to protection. We should hardly encourage the development of libel law that rewards low humor.@). Thus, we focus on a single objective inquiry: whether the satire can be reasonably understood as stating actual fact.
This is not the same as asking whether all readers actually understood the satire, or Agot the joke.@ Intelligent, well-read people act unreasonably from time to time, whereas the hypothetical reasonable reader, for purposes of defamation law, does not. In a case of parody or satire, courts must analyze the words at issue with detachment and dispassion, considering them in context and as a whole, as the reasonable reader would consider them.
In this case, the court of appeals distinguished other cases finding satire to be protected under the First Amendment, holding that, in those cases, Athe reader was given obvious clues that the piece was not conveying statements of actual facts.@ 91 S.W.3d at 858. But, to a careful reader, the clues here are no less suggestive. They include:
$ the unorthodox headline (AStop the madness@) and photo of a smiling child holding a stuffed animal, captioned ADo they make handcuffs this small? Be afraid of this little girl.@
$ the article=s assertion that the six-year-old child was placed in ankle shackles due to her school disciplinary record, Awhich included reprimands for spraying a boy with pineapple juice and sitting on her feet.@
$ the fabricated quote attributed to then-Governor George W. Bush, stating that Where the Wild Things Are Aclearly has deviant, violent, sexual overtones@ and that Azero tolerance means just that. We won=t tolerate anything.@
$ reference to Isaacks=s Aquote@ that A[w]e=ve considered having her certified to stand trial as an adult, but even in Texas there are some limits.@
$ Judge Whitten=s alleged statement that A[a]ny implication of violence in a school setting . . . is reason enough for panic and overreaction.@
$ The article=s reference to a freedom-opposing religious group that bears a ridiculous acronym: God Fearing Opponents of Freedom (AGOOF@).
$ Six-year-old Cindy Bradley=s scoffing at the reaction to her book report and saying, ALike, I=m sure. It=s bad enough people think like Salinger and Twain are dangerous, but Sendak? Give me a break, for Christ=s sake. Excuse my French.@
These clues (among others) involve Aexaggeration or distortion,@ the means by which Athe satirist clearly indicates to his
audience that the piece does not purport to be a statement of fact but is
rather an expression of criticism or opinion, a means of reaching an abstract
truth or idea.@ Jan Kipp Kreutzer, Defamation: Problems with Applying Traditional Standards
to Non-Traditional Cases B
Satire, Fiction and AFictionalization,@ 11 N. Ky. L.
Some satire, like the article at issue here,
relies for its force and effect on the idea of attribution of ideas and words to someone who never uttered them. The satiric effect emerges only as the reader concludes by the very outrageousness of the words that the whole thing is a put-on. The comic effect is achieved because the reader sees the words as the absurd expression of positions or ideas associated with the purported author.
Patrick, 27
The court of appeals found it persuasive that the
article was Aindexed
and published as the lead story under the heading of >News= in a section ordinarily devoted to
hard-hitting investigative news.@ 91 S.W.3d at 859. The article=s
inclusion in the Observer=s
ANews@
section must be examined in the context of the Observer=s nature, however, because the
reasonable reader must consider the type of publication in which the offending
material appears. See, e.g., Bruce W. Sanford, Libel
Here, the record establishes that the Dallas Observer is an alternative weekly newspaper that Areport[s] the news in context and with perspective and sometimes with an individual=s voice.@ Julie Lyons, the Observer=s editor, described the newspaper as follows:
at a daily newspaper when you=re reporting a news story, you might write the mayor said so-and-so and the counsel [sic] member said so-and-so. We call that a he said she said kind of story. Whereas at the Dallas Observer we might say the mayor said so-and-so. The counsel [sic] member said so-and-so, but the counsel [sic] member=s lying.
The ANews@ heading was used to delineate a
section of the newspaper and not to indicate that articles contained in that
section were Atraditional
news@ B in fact the record establishes that
opinion, commentary, and satire had previously been published in the ANews@
section, as the Observer did not have a separate opinion section. Additionally, the court of appeals= statement that AStop
the madness@ was Aboth indexed and published as the lead
story under the heading of >News,=@
91 S.W.3d at 859, appears to be erroneous B
the article was not the lead story and was not indexed at all; it was not even
mentioned in the table of contents. The
nearby article describing awards won by Observer staff could suggest
that AStop the
madness@ was a news
article, but it is just one of many factors to be considered. Cf. Walko
v.
Moreover, AStop
the madness@ was not
the first satire the Observer published.
In earlier issues, the Observer had spoofed the music industry=s issuance of A[b]oring and exhaustive box sets of irrelevant material@; the Dallas Area Rapid Transit light
rail system (providing tips for safer rides, including Anever
lend your handgun to a stranger,@
Ashare your ammo,@
and Acarry
tissues, Lysol, and an extra drool cup for your seatmate@);
and the Belo Corporation=s
part ownership of the Dallas Mavericks (in an article entitled ABelo=s
Sure Got Balls@). Perhaps the Observer=s general tenor can best be gleaned by
examining the
The reaction [to the Christopher Beamon incident] at the Observer was that this was an outrageous, idiotic abuse of power. OK, we didn=t express it quite that way. AWhoa, dude, that=s f[**]ked up,@ is closer to what was said. Luckily for us, we work for a newspaper that lets us ridicule the ridiculous. Farley, grinning like a rottweiler about to bite a baby, drew the writer=s sharpest weapon, satire, and set about to make a few points.
Patrick Williams, Buzz, Dallas Observer,
The reference in AStop the madness@ to the actual Beamon incident provides yet another signal to the reasonable reader, who would have understood the satire to be commentary on that controversy. See, e.g., Lane v. Ark. Valley Publ=g Co., 675 P.2d 747, 750-51 (Colo. Ct. App. 1983) (noting that context in which satirical articles were published was significant: Acomments made in the context of a hotly contested political campaign should not be judged by the same standard as those made in other contexts@ and topics at issue Ahad been the subject of extensive reporting and controversy@); Garvelink, 522 N.W.2d at 887 (column was Aobviously satire intended to criticize the school budget cuts, which was a controversial issue at the time@); Hoppe, 770 P.2d at 207 (satirical column critical of plaintiffs= use of public funds was published during a political campaign and in the context of Aa well publicized debate@ over the plaintiff=s use of public funds to hire detectives); see also Patrick, 27 Cal. Rptr. 2d at 889-90 (when viewed in the context of the Arunning feud@ between the judge and the newspaper, it was unreasonable to believe that judge himself had written phony, satirical memo). It does not, as the court of appeals held, support a finding that a reasonable reader would have misunderstood the satire. 91 S.W.3d at 859.
Finally, while a disclaimer would have aided the reasonable reader in determining the article was a satire, such a disclaimer is not necessarily dispositive. See, e.g., Falwell v. Flynt, 805 F.2d at 486-87 (Wilkinson, J., dissenting) (noting that, despite label proclaiming AAd Parody B Not to be Taken Seriously,@ Flynt could have been subject to a libel judgment if the publication were found to be defamatory); Pring v. Penthouse Int=l, Ltd., 695 F.2d 438 (10th Cir. 1982) (AThe test is not whether the story is or is not characterized as >fiction,= >humor,= or anything else in the publication@ but whether story could reasonably be interpreted as stating actual fact). Rather, the presence of a disclaimer is one of many signals the reasonable reader may consider in evaluating a publication. See, e.g., San Francisco Bay Guardian v. Superior Court, 21 Cal. Rptr. 2d 464, 466 (Cal. Ct. App. 1993) (noting that A[t]he question of whether the average reader would have recognized the issue as a parody and the letter as a part of the joke depends upon a view of the entire issue, i.e., the >totality of circumstances=@; fact that phony letter to the editor was in a section of the newspaper labeled Aspecial parody section@ was significant).
AStop
the madness@ does
have a superficial degree of plausibility, but such is the hallmark of
satire. See, e.g.,
Jon M. Garon, Media & Monopoly in the
Information Age: Slowing the Convergence
at the Marketplace of Ideas, 17 Cardozo
Arts &
B. Actual Malice
Even if the article were reasonably understood as
stating actual facts about the respondents, however, respondents could proceed
with their claim only if they raised a fact issue on actual malice. Public figures cannot recover for defamatory
statements made about them absent proof of actual malice. Forbes, Inc. v. Granada Biosciences, Inc.,
124 S.W.3d 167, 170-71 (Tex. 2003) (citing N. Y. Times, 376 U.S. at 279‑80
and WFAA‑TV, Inc. v. McLemore, 978 S.W.2d 568, 571 (Tex.
1998)). But A[t]he
phrase actual malice is unfortunately confusing in that it has nothing to do with
bad motive or ill will,@
but rather is Aa shorthand to describe the First Amendment protections for
speech injurious to reputation.@ Bentley v. Bunton, 94 S.W.3d 561, 590 (
[I]n the world of debate about public affairs,
many things done with motives that are less than admirable are protected by the
First Amendment. In Garrison v. Louisiana, 379 U. S. 64 (1964), we held
that even when a speaker or writer is motivated by hatred or ill will his expression
was protected by the First Amendment:"Debate on
public issues will not be uninhibited if the speaker must run the risk that it
will be proved in court that he spoke out of hatred; even if he did speak out
of hatred, utterances honestly believed contribute to the free interchange of
ideas and the ascertainment of truth."
Falwell, 485
Instead, "actual malice" requires proof
that the defendant made a statement A>with knowledge that it was false or
with reckless disregard of whether it was true or not.=@
Huckabee v. Time Warner Entm=t
Co., 19 S.W.3d 413, 420 (
Applying the actual malice standard to a satirical work may Abecome[] confused because the author is usually well aware of any >falsity= contained in the comment and indeed intends no >truth.= That sounds like >actual malice.=@ Sack on Defamation ' 5.5.2.7.1. Respondents advocate this very sort of Aautomatic actual malice@ standard in satire cases, because the author always knows the publication contains false statements of fact. They assert that A[i]n the parody context, the reporter=s subjective belief is irrelevant, because he always knows that what he is publishing is not true.@ But we cannot square such a blanket rule with the protections of the First Amendment. In a pre-Hustler Magazine v. Falwell text, one commentator warned against a literal application of the New York Times rule in the satire/parody context:
[I]f someone wishes to convey the notion that a particular American president is ineffective, he should not be limited to expressing that view by saying it in so many words. He should be permitted to convey the view more dramatically through the use of admittedly invented verbal images.
The problem . . . may be that courts will follow too literally the fact/opinion dichotomy suggested in Gertz, find that knowingly false assertions of fact have been made, and conclude that such assertions are unprotected both under common law and constitutional principles. It may be difficult, depending on the particular work and the particular forum, to persuade a judge that statements of fact are, under certain circumstances, not statements of fact at all, but of opinion.
Robert D. Sack, Libel, Slander
In Hustler Magazine, Inc. v. Falwell, the United States Supreme Court implicitly rejected a literal application of the actual malice rule to works involving satire or parody. If the Supreme Court had literally applied the actual malice test as set forth in Falwell, it would have found liability because neither party contested the fictional nature of the parody, and Hustler knew the statements were fictional when it published the article. While the Supreme Court does not detail how to apply this standard to cases of satire or parody, its rejection of liability means that it could not have applied the standard literally.
New Times asserts that the court of appeals= articulation of the actual malice test was Alargely appropriate,@ and we agree. The court of appeals, citing Turner, articulated the issue as: ADid the publisher either know or strongly suspect that the article was misleading or presented a substantially false impression?@ 91 S.W.3d at 862. As this is not a case of libel by impression (as Turner was), however, we believe the inquiry is more properly stated as: did the publisher either know or have reckless disregard for whether the article could reasonably be interpreted as stating actual facts?[8] Bentley, 94 S.W.3d at 603; see also Pring, 695 F.2d at 442.
In conducting the actual malice inquiry, the court
of appeals dismissed the individual defendants= affidavits as Aconclusory and . . . therefore not competent summary
judgment evidence.@ 91 S.W.3d at 863. Additionally, the court concluded that the
affidavits of Farley, Williams, and Lyons were controverted
by their deposition testimony.
In Casso v. Brand, 776 S.W.2d 551, 558 (Tex. 1989), we held that a reporter=s summary judgment affidavit could conclusively establish a lack of actual malice so long as it was Aclear, positive and direct, otherwise credible and free from contradictions and inconsistencies, and could have been readily controverted.@ As we later noted:
Although we chose in Casso not to carve out a special exception to our summary judgment practice for public figure and public official defamation cases, the court, in overruling Bessent and Beaumont Enterprise, made it possible for defendants to obtain a summary judgment in such cases. In Casso, the defendant (Casso) submitted an affidavit and supporting evidence establishing that he did not believe that certain allegations he made were false and that he did not act with reckless disregard as to their truth or falsity in repeating those allegations in his campaign advertising. As evidence supporting his motion for summary judgment, Casso submitted his affidavit and certain testimony from a pending federal trial. He asserted in his affidavit that this testimony formed the basis of his allegedly defamatory statements. The court in Casso held that because the plaintiff, Brand, Apresented no controverting proof, summary judgment as to these statements was proper.@
Carr v. Brasher, 776 S.W.2d 567, 571 (Tex.
1989) (holding that defendants=
affidavits and deposition testimony negated actual malice where plaintiff Apresented no controverting
proof that [the defendants] believed that the statements in question were false
or published with reckless disregard for the truth@);
see also Huckabee v. Time-Warner Entm=t
Co., 19 S.W.3d 413, 417 (Tex. 2000); WFAA-TV, Inc. v. McLemore, 978
S.W.2d 568, 574 (Tex. 1998). Thus, under
our framework, because these affidavits are from interested witnesses, they
will negate actual malice as a matter of law only if they are "clear,
positive, and direct, otherwise credible and free from contradictions and
inconsistencies, and [able to be] readily controverted."
In support of its summary judgment motion on actual malice, New Times presented affidavits from Farley, Williams, and Lyons. The affidavits detailed the writing, editing, and publication of AStop the madness.@ In her affidavit, Farley explained that she Ahad the idea to write something for the Dallas Observer that would be a takeoff or satire of the Beamon incident.@ She described a conversation with Williams in which they discussed whether they wanted the story to be a Aprank intended to fool readers or whether the story should be outrageous enough that the readers would be let in on the joke. . . . We agreed that [the story] should be constructed so that readers would be attracted to it and then would clearly be signaled that the article was a satire or parody.@ Farley testified that she never intended that the article be taken as an account of actual events and that she neither knew nor believed that it would be understood that way. She detailed Avery specific steps to make sure that this was obviously a satire,@ including using a very young child as protagonist, placing her in ankle shackles, inventing the religious group AGOOF,@ and adding fictional quotes.
Williams testified in a similar vein. He explained that their Agoal was to make [the story] clearly satirical while not so overbroad as to be sophomoric. We intended the article to poke fun at those involved in the Christopher Beamon matter, as well as the dry >daily news= type of journalism that often overlooks the broader issues.@ Williams testified that he did not intend the article to be taken as an account of an actual event and did not know or believe that the article=s readers would mistake it for one.
Like Farley and Williams, Julie Lyons, the Observer=s editor-in-chief, also gave a detailed affidavit. She testified that there was no intent that AStop the madness@ be taken as stating actual historical fact. She described reviewing a draft and suggesting that the article be edited to make it funnier and more obviously satire. She described the choice to use a six-year-old: AWe knew that a child that young would clearly signal to the reader that it was fictitious because a child that young can=t be detained.@
These affidavits are Aclear,
positive, and direct, otherwise credible and free from contradictions and
inconsistencies, and could have been readily controverted.@
Isaacks and Whitten B
and the court of appeals B
relied on the respondents=
deposition testimony. In fact, the court=s actual malice finding appears to have
been based largely on evidence that the Dallas Observer intended to ridicule
those officials. See 91 S.W.3d at
863-64 (noting that Farley Aadmitted
the article was intended to hold Isaacks and Whitten up to public ridicule@; that Williams Aagreed
the article was meant as satire or scathing commentary@;
and that
Equating intent to ridicule with actual malice
would curtail the Auninhibited,
robust, and wide-open@
public debate that the actual malice standard was intended to foster,
particularly if that debate was expressed in the form of satire or parody. Sullivan, 376
In fact, reliance on intent to ridicule as
evidence of actual malice contravenes Falwell
itself. In that case, Falwell=s
evidence that Flynt intended to cause him distress
rested on Flynt=s
deposition testimony that he had intended to Aupset@ Falwell, that he had wanted A[t]o
settle a score@ because Falwell had labeled Flynt=s personal life Aabominable,@ and that Flynt
wanted to Aassassinate@ Falwell=s integrity. Deposition Testimony of Larry Flynt, reprinted in Joint Appendix at 113, 136, 141,
Hustler Magazine, Inc. v. Falwell, 485 U.S. 86
(1988) (No. 86-1278)). Despite this
evidence, the Supreme Court held that Falwell could
not recover for intentional infliction of emotional distress without proof of
actual malice, and the Court reversed the Fourth Circuit=s
judgment. As one commentator has noted, Athe regulation of improper intentions,
although important for the civil law of torts, is constitutionally
inappropriate >in the
area of public debate about public figures.=@
Robert C. Post, The Constitutional
Concept of Public Discourse: Outrageous
Opinion, Democratic Deliberation, and Hustler Magazine v. Falwell,
103 Harv. L.
As further evidence of the Observer=s purported malice, the court of appeals pointed to editor-in-chief
Julie Lyons=s
actions: AShe
never considered labeling the article as parody or satire. She later realized that some readers thought
that the article was real and she changed the heading of the on-line version to
satire.@ 91 S.W.3d at 864.
But contrary to the court of appeals= opinion, New
Times=s prompt
labeling and clarification in the next edition=s
Buzz column, as well as its explanatory responses to readers, evidence a
lack of actual malice. See, e.g.,
Washington Nat'l Ins. Co. v. Adm=rs, 2
F.3d 192, 196 (7th Cir. 1993) (holding that Asubsequent
statements negating any defamatory implications may show the absence of malice
by demonstrating that the speaker did not contemplate the defamatory reading in
the first place@); Zerangue v.
The Buzz column was certainly crude and provocative, but the First Amendment does not police bad taste.[10] Cohen v. California, 403 U.S. 15, 25 (1971); see also Sullivan, 376 U.S. at 270 (A[D]ebate on public issues should be uninhibited, robust, and wide‑open, and . . . may well include vehement, caustic, and sometimes unpleasantly sharp attacks" on public figures.); Univ. of Notre Dame Du Lac v. Twentieth Century-Fox Film Corp., 256 N.Y.S.2d 301, 307 (N.Y. App. Div. 1965) ("[W]e may not import the role of literary or dramatic critic into our functioning as judges in this case; and so for purposes of the law we may not reach a conclusion that the works of fiction involved in this litigation are not artistic or literary works. . . . Whether [the work] is good burlesque or bad, penetrating satire or blundering buffoonery, is not for us to decide. It is fundamental that courts may not muffle expression by passing judgment on its skill or clumsiness, its sensitivity or coarseness; nor on whether it pains or pleases.@).
Elected public officials, like Isaacks and Whitten, must become enured to the slings and arrows of public life. See Sullivan, 376 U.S. at 272-73 (A[J]udges are to be treated as men of fortitude, able to thrive in a hardy climate.@); Patrick, 27 Cal. Rptr. 2d at 889 (AAs judges we are public figures, and part of our job, to paraphrase Harry Truman, is to stand the heat in the kitchen.@); Polygram Records, Inc. v. Superior Court, 216 Cal. Rptr. 252, 258 (Cal. Ct. App. 1985) (A[I]f judges assumed the responsibility to decide what is amusing and made the protections of the First Amendment turn upon their views, perhaps less putative humor would be safeguarded than our restrained approach permits.@). We should not Adeny to the press the right to use hyperbole, under the threat of removing the protective mantle of New York Times, [thereby] condemn[ing] the press to an arid, desiccated recital of bare facts.@ Time, Inc. v Johnston, 448 F.2d 378, 384 (4th Cir. 1971); see also Berlin v. E.C. Publications, Inc., 329 F.2d 541, 545 (2d Cir. 1964)(noting, with respect to an alleged copyright infringement,". . . as a general proposition, we believe that parody and satire are deserving of substantial freedom B both as entertainment and as a form of social and literary criticism"), cert. denied, 379 U.S. 822 (1964).
Moreover, the court of appeals noted B correctly B that Farley Anever intended a straight news story. She never interviewed Isaacks and Whitten and admitted quotes attributed to them were untrue. She denied the story was false, but admitted it was >fictional.=@ 91 S.W.3d at 863. If indeed these undisputed facts are treated as evidence of actual malice, however, there would be automatic actual malice in all cases of satire. As set forth above, this cannot be reconciled with the First Amendment as interpreted by Falwell.
The court of appeals= reliance on New Times=s failure to conduct an independent investigation of the Beamon case is particularly misguided. See 91 S.W.3d at 863, 864 (noting that Farley Adid no investigation into the handling of the Beamon case@ and that ALyons, who was responsible for the Dallas Observer=s overall editorial policy, agreed that no one investigated the Beamon incident@). New Times=s portrayal of the Beamon incident is not at issue in this case and, even if it were, failure to investigate, by itself, is no evidence of actual malice. Bentley, 94 S.W.3d at 595.
Finally, in finding a fact issue on actual malice, the court of appeals relied A[m]ost significantly@ on Julie Lyons=s testimony that, after the article was published, she agreed that even intelligent, well-read people could have been misled by the story. 91 S.W.3d at 864. The actual malice inquiry focuses on the defendant's state of mind at the time of publication, however. See Forbes Inc. v. Granada Biosciences, Inc., 124 S.W.3d 167, 173 (Tex. 2003) (citing Bose Corp. v. Consumers Union of United States, Inc., 466 U.S. 485, 512 (1984)). When asked what she thought at the time of publication, Lyons answered that she did not know or suspect at that time that the satire would be misinterpreted. Her hindsight acknowledgment that some people could have been fooled is not evidence that the reasonable reader could have understood the satire to state actual facts, nor is it evidence of actual malice at the time of publication.
We hold that New Times negated actual malice as a matter of law. In light of our disposition of this issue, we do not reach the Observer=s request that we revisit our holding in Huckabee to require clear and convincing evidence of actual malice at the summary judgment stage.
IV
Attorney=s Fees and Costs
Section 51.015,
Costs of Appeal
In the case of an appeal brought pursuant to Section 51.014(6), if the order appealed from is affirmed, the court of appeals shall order the appellant to pay all costs and reasonable attorney fees of the appeal; otherwise each party shall be liable for and taxed its own costs of the appeal.
V
Conclusion
AHowever pernicious an opinion may seem, we depend for its
correction not on the conscience of judges and juries but on the competition of
other ideas." Bose Corp.
v. Consumers Union of U.S., Inc., 466
We reverse the court of appeals= judgment and render judgment that Isaacks and Whitten take nothing.
______________________________
Wallace B. Jefferson
Justice
OPINION
DELIVERED:
APPENDIX: http://www.supreme.courts.state.tx.us/historical/2004/sep/030019app.pdf
[1] The article and accompanying photograph are attached
as an Appendix to this opinion.
[2] Maurice Sendak, Where The
Wild Things
[3] Neither President Bush nor Dr. Welch sued the
Dallas Observer. Dr. Welch did remark
that, although he Alike[s] satire like the best of them, [i]t=s not as much fun when you [bear] the brunt of it.@ Angela Ward, Denton Judge, DA Plan Libel Suit,
[4] The full title is AA Modest
Proposal for preventing the children of poor people in
[5] Judge Robert Sack sits on the United States Court of Appeals for the
Second Circuit.
[6] In a two sentence concurrence, Justice White wrote, AAs I see it, the decision in New York Times v.
Sullivan, 376 U. S. 254 (1964), has little to do with this case, for here
the jury found that the ad contained no assertion of fact. But I agree with the
Court that the judgment below, which penalized the publication of the parody,
cannot be squared with the First Amendment.@ Falwell, 485
[7] For example, earlier this year, the Beijing
Evening News, in a story written by Huang Ke, reported
that Congress was threatening to bolt
[8] New Times proposes that the Court adopt Chief Justice
Phillips=s concurrence in Bentley, which advocated an Aintent@ standard for actual malice. Bentley, 94 S.W.3d at 616 (Phillips, C.J.,
concurring and dissenting) (actual malice requires proof Athat the defendants intended or knew of the
implications that the plaintiff is attempting to draw from the allegedly
defamatory material@) (quoting Saenz v. Playboy Enters., Inc., 841
F.2d 1309, 1318 (7th Cir. 1988)) (emphasis added). In fact, the trial court applied this
standard but found a fact issue on actual malice. Under either an intent standard or a
knowledge standard, however (as more fully explained below), Isaacks and
Whitten have failed to raise a fact issue on actual malice.
[9] See footnote 8, supra.
[10] As one commentator has aptly noted:
To ask a satirist to be in good taste is like asking a
love poet to be less personal. Is The Satyricon in good taste? Is A
Modest Proposal? Swift recommends
the stewing, roasting and fricaseeing of one-year-old
children. . . . How nasty and vulgar that must have seemed. . . . Imagine how
this went down in polite society: >A child will make two dishes at an Entertainment for
Friends; and when the Family dines alone, the fore or hind quarter will make a
reasonable Dish, and seasoned with a little Pepper or Salt will be very good Boiled on the fourth Day, especially in Winter. . . .= Now that=s considered Literature. It=s called
Swiftian. Back
in 1729 it probably seemed, to a lot of Smith=s
contemporaries, bad taste and worse.
Philip Roth, Reading Myself